Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 174

ID: 47432

unknow artist Arab or Arabic people and life. Orientalism oil paintings 174
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unknow artist Arab or Arabic people and life. Orientalism oil paintings 174


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unknow artist

  Related Paintings of unknow artist :. | Beheading of St Paul | European city landscape, street landsacpe, construction, frontstore, building and architecture.079 | White Cultivate | The mocking of christ | Theodore and pull entourage |
Related Artists:
Jose Antolinez
Spanish Baroque Era Painter, 1635-1675 was a Spanish painter of the Baroque period. Antolinez's early training as a landscape artist may have been under Iriarte. Later, when he moved to the court in Madrid, he entered the studio of Francisco Rizi. His '"haughty character and sarcastic personality gained him many enemies among his contemporaries". Some note he played maddening jokes on his colleagues Claudio Coello and Cabezalero as well as Itizi, whom he called painter of wall ornaments, in allusion to the latter's decoration of the hall of comedies in the Palace of Buen Retiro
MAZO, Juan Bautista Martinez del
Spanish Baroque Era Painter, ca.1612-1667
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,






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